• Expert Sound Engineering

          including Live 5.1 Surround Sound

• Live Recording & DVD Production

          including 5.1 Surround

• Sound System Hardware Design

          for Theatrical Productions

• Innovative Audio Design

          for Permanent Installation

• Orientations & Training

• Arts Festival Planning & Technical Direction

• Production Management & Stage Management

• 30 Years Experience with Client & Artist Relations

• DJ Services

Sound System & Equipment Rentals
        Complete rental inventory listed below

Portable stages - ‘8 x 8’ to 24’ x 40’
Generators - 15 amp to 500 amps

Back Line

Drums and Percussion

Yamaha Maple Custom (Natural) 6 Piece with Hardware,             Cymbals, Seat, and Carpet (22 inch kick drum)
Ludwig Jazz (Cherry Maple) 5 Piece with Hardware,                     Cymbals, Seat, and Carpet (18 inch kick drum)
LP Giovanni Hidalgo Congas (four sizes) with stands
LP Bongos with stand
Atomic Timbales with stand
Assorted Latin percussion toys

Latin percussion table

INSTRUMENT AMPLIFIERS
VOX AC30 Custom Classic 
Fender Twin Reverb (1971)
Roland JC120
Roland KC100 Keyboard Amp.
Mesa Boogie 15 inch cabinet with GK Backline 600 Bass Amp.
Hartke 4 X 10 inch and 15 inch cabinets with Hartke Amplifier (BI-Ampable)
SWR 400 watt bass amplifier 

KEYBOARD

Yamaha CP-300, 88 key, weighted, with stand and seat

MISCELLANEOUS
Assorted guitar and keyboard stands

Loud Speakers

PASSIVE FULL RANGE
ElectroVoice
ZX5 - 90 15 X 1 inch 800 Watts RMS (white) (4)
SX300 12 X 1 inch 250 Watts RMS (white) (4)
SX100 12 X 1 inch 150 Watts RMS (white) (4)

Grundt - 12 inch X 2 inch 650 Watts RMS (4)

SELF-POWERED FULL RANGE
Yorkville

12 X 1 inch NX55P 400 Watts RMS (4)
15 X 1 inch  NX750P 600 Watts RMS (4)

QSC

12 X 1 inch hpr1221i (4)

Yamaha

Stagepas 500 (2 pairs)

PASSIVE SUB WOOFERS
Grund 18" Subs 800 Watts RMS, white (4)

ACTIVE SUBWOOFERS
Yorkville NX200S 10 inch 200 Watts RMS (2)

STAGE MONITORS
Yamaha CM12V 12 X 1 inch 200 Watts RMS Passive (10)

Audio Mixers

YAMAHA

Yamaha MG 10/2 (4 mic channel)
Yamaha MG 12/2 (6 mic channel)                               Yamaha 16/4 (16 mic channel) 

MACKIE
Mackie1402 VLZ (6 mic channels) (2)
Mackie CFX 12 (8 mic channels)
Mackie CFX 16 (12 mic channels)
Mackie CFX 20 (16 mic channels) (2)

ALLEN & HEATH

Allen and Heath GL3300 - 24
Allen and Heath GL3300 - 16
*note: These may be linked to make a 40 channel GL3300

MIDAS
Venice 3200 (24 mic channels)

SOUNDCRAFT
GB8 (16 mic channels, 4 Stereo line or mic channels)
LX7 II (16 mic channels)

CREST AUDIO 

Century 32/8/8/3 (32 mic channels) 

Outboard Equipment List

EQUILIZERS
Ashly Protea (4 channel, 31 band digital)
DBX 3231 (2 channel, 31 Band) (2)
Yamaha 2031 (2 channel, 31 band) (4)

Ashly PGX 572 (7 Band Stereo Parametric) (2)

COMPRESSORS & LIMITERS
DBX 1066 Stereo (2)
DBX 1046 4 Channel (2)
DBX 166 Stereo
Drawmer DL 241 (2)
Presonus ACP 8 - 8 Channel

REVERB & DELAY
1. Lexicon MPX 500 Multi-effex (2)
2. Roland SDE 3000 Delay (2)
3. Yamaha SPX 900 (2)
4. TC Electronics D-Two Delay (2)

RACK MOUNT CD PLAYERS

Tascam CD - 01U with Pitch Control (2)

Microphone List

NEUMANN
Instrument Microphones: 1. TLM103 (2)   2. KM184 (2)

Vocal Microphones: KMS 50

SENNHEISER
Instrument Microphones
1. 604  (3)   2. 421 (2)   3. 609 (2)   4. 906 (5)   5. MKH40 (5)  6. E608 Clip On (3)

Vocal Microphones: 1. 835 (2)   2. 865 (6) 

AKG
Instrument Microphones
1. C414B-ULS (2)   2. 451 (2)   3. 460 (3)   4. D1200

Vocal Microphones

1. C1000S (4)   2. C535 (4)   3. C420

SHURE
Instrument Microphones

Vocal Microphones
1. SM58 (12)   2. SMB58 (4)   3. SM86 (10)   4. SMB87A

5. KSM9 (2)     6. 55SHII (2)   7. SM7

BLUE
Instrument Microphones
1. Blue Ball (2)    2. Red Ball   3. Black Ball (2)

AUDIO TECHNICA
Instrument Microphones
1. 4041 (2)   2. 431 (2)   3. 335 Clip On (3) 

Vocal Microphones
1. 4054 (8)   2. 4055 (2)   3. 873R (6)

ELECTROVOICE
Instrument Microphones
1. Cardinal (6)   2. RE-20   3. 408 (4)

M-AUDIO
Instrument Micrphones: Luna (2)

EQUITEC
Instrument Microphones: E100 (2)

EARTHWORKS
Instrument Microphones: SR-20 (2)

AUDIX

Vocal Microphones
1. OM 5 (6)    2. VX 10 (2)   3. ADX 90 Clip On (3)

BEYERDYNAMIC

Professional Drum Mic Kit 

Wireless Microphones List

SHURE

UHF

ULX with Hand Held or Lavalier (6), or Countryman E6 headworn (2)

SENNHEISER

UHF
EW 500 with Hand Held or Lavalier or Head Worn or Clip On Microphone (8), or Countryman E6 headworn (2)

Recording Equipment

DIGITAL RECORDERS

Multi Track

Alesis 2496

Stereo
1. HHB Mini Disc MDP 500  

2. Tascam DAP1 

3. Tascam DA20; 

4. HHB Burnit Plus

5. Marantz CDR 300  (2)

6. Tascam RA 1000 (DVD)  

7. Alesis ML 9600 Mastering Recorder

ANALOG RECORDERS
Cassette
1. Marantz 430 (2);  2. Tascam 202 II

CD DUPLICATORS
Telex SpinWise 1-1 (2)    2. Telex SpinWise 1- 6

STUDIO MONITORS

Event PS 6 (2)

MICROPHONE & LINE SPLITTERS
24 Channel 1 In 2 Out Hardwired

24 Channel 1 In 1 Out Hardwired, Plus 1 Out Isolated (2)

24 Channel 1 In 2 Out TRS Balanced Hardwired

MIC PRES 

Oram 32 channels

Presonus tube 4 channels 

 Video/Projection

Denon Professional DVD Player DN-V210 (2)

Optoma LCD Projector -DLP projection display ep761 (2)

Diplomat Projection Screen:                                 free standing tri-pod                                            roll up/roll down                                                    6ft wide by 8ft long (1)

8ft wide by 8ft long (1)

 Lighting

LED stage lights with DMX control panel 

Par 64 (8)

Punch (2)

Miscellaneous Equipment List

D.I. BOXES
1. Klark-teknik AR133 (9) 

2. LR Baggs Para Acoustic; 
3. SansAmp Bass Driver

4. Assorted quality passive boxes (15)

STANDS
1. Short, Medium, and Tall Tri-Pod Microphone Stands
2. Tri-Pod Speaker Stands

COMMUNICATION SYSTEMS
Clear Com Wired Stage Communication System, 2 Channel,

3 Stations

DJ EQUIPMENT
1. 2 Technics 1200 MKII Turntables   2. Gemini DJ Mixer; 
3. Numark Stereo CD Player/Mixer (2)  4. Single CD Players(4)

MUSIC
Large collection of CD’s from around the world

CABLE
Large Assortment of Audio Cables and Snakes

Rental prices for the equipment listed above will be determined by the length of rental, number of pieces in the package, intended use, and pick-up/delivery charges.  Please call us directly for a VERY competitive quotation.

Please note that except in unusual circumstances, the full rental price will be due on delivery, and a returnable deposit equaling the value of the equipment, must be paid in advance.

Customer will pay in cash immediately for any lost, stolen, or damaged equipment.

Customer’s signature on the rental contract will indicate their full agreement with all of the terms above. 

Thank you very much for your consideration in this matter.  We look forward to working with you!

Highlighted

Services...

Links to Performing Artists and Bands

www.howardleshaw.com

Many of our most thrilling partnerships are with individual performing artists, festivals, and bands. We feel extremely fortunate to participate in cultural events of the highest artistic caliber, making our contributions through our commitment to provide the right sound, live recording equipment, and engineering services.
We want every artist to feel comfortable, knowing that we are delivering our best efforts on their behalf. Serena and I feel responsible for the sonic connection between the artist(s) and their audience. We want every audience member to have an unforgettable cultural experience of your powerful performance.  This is what we call serious fun-for the artist(s), the audience, and for us as well!

Working with Conservative and Reform Jewish Community Centers to supply their sound needs both on and off premises for High Holy Days, and for cultural events has been a specialty of In Concert Audio for several years. In 2007, for example, we worked with three different congregations for the High Holy Days.

We recognize the importance of full consultation with lay and religious authorities in each congregation or center to ensure our compliance with all religious and technical requirements for each event, whether religious or cultural.

Serena and I are often shocked when we hear of the exorbitant prices paid for sound and live recording services for meetings, conferences, benefits, and rallies. As we are focused on work with not-for-profit organizations, we always try to help maximize the effectiveness of scarce monetary resources. At the same time, we do not relax the high audio standards that guide us in our concert work. If a meeting, rally, conference or benefit is worth having, then the organizers should be able to count on the reliable performance of their sound and recording systems, AND the complete professionalism of those who are operating those systems.

Frankly, we carefully evaluate our participation in an event BEFORE we bid to see if we can basically agree with its social or charitable intent. DURING the event, we work with the organizers to make sure they are satisfied with the quality of our work. AFTER it, we again seek their input to guide us in our future work.

You will find us to be your Innovative Sound Partners.

Working within tight budget constraints is a specialty for permanent installation work at In Concert Audio. We have excellent supplier connections for all major brands of professional sound equipment.

More importantly, we want to work with on site users of the system to ensure that we incorporate their experiences and needs into the system design. There have been instances where we have decided, with our
client, that a system update, not a new installation, would be the best solution. Our goal is to be of service to our client using the right sized equipment of the highest possible quality given budgetary constraints. We are on YOUR payroll, not the equipment manufacturers’, so we
Won’t try to sell you things you don’t need! We deliver value for every dollar received.

We enjoy training on-site personnel in the proper use and maintenance of the new installation. This ensures many years of reliable use of the
system before any major repairs will be needed. We draw on our long experience operating sound systems ourselves, and add our expertise in teaching live audio technology at the SAE Institute in New York City.